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Alden Leigh Fournier

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Two actors in period dress (1600s, France) sit downstage left. One is a woman in a gold and purple dress, the other in a white wig with curls with priest clothes. A third actor hides behind a clear door upstage right in the shadows. The stage is adorned with three beautiful arches - one grand one with three layers and deep purple curtains, one on stage right with clear glass panels, and one on stage left with a marble staircase leading offstage left. The floor is painted to look like wood paneling with a diamond design throughout.

Seven actors in period dress (1600s, France). Two are sitting downstage left on a velvet purple couch while four are standing behind and one standing to stage right. The floor is painted to look like wood paneling with a diamond design throughout. There are candelabras behind the group.

Two actors in period dress (1600s, France) sit downstage left. One is a man in olive green, the other in a white wig with curls with priest clothes. There is a marble staircase leading offstage left behind the actors as well as a chess set. The man in green looks forlornly at the man in priest clothes. The floor is painted to look like wood paneling with a diamond design throughout.

Several actors stand onstage in period (1600s France) dress. The stage is adorned with three beautiful arches - one grand one with three layers and deep purple curtains, one on stage right with clear glass panels, and one on stage left with a marble staircase leading offstage left. The floor is painted to look like wood paneling with a diamond design throughout. The lighting is bright downstage, but upstage the sheer white curtains are lit to look like a broken mirror.

10 Actors stand on the stage in three clusters. They are all dressed as different fairy tale creatures, including A Witch, Jack's Mom, a Steward, A Baker and his Wife, Little Red Riding Hood, and the Stepfamily of Cinderella. Downstage is brightly lit, but the woods behind them are shadowy and dark.

8 actors on the stage - 4 are gathered on a platform center stage right attempting to shove a stepsister's foot into a too-small shoe. 3 are standing in a line center stage left - a prince, a steward, and the narrator. Behind them in the shadows, a woman portraying a tree at the grave of Cinderella's Mother's grave,

An actor wearing a green velvet dress poses with her arm above her head in front of a hole cut into a tree behind a tall platform. Fog pours through the hole. Red lights shine through cutouts in the wood that make the tree.

Little Red Riding Hood in a wolf cape is held by Cinderella on a platform covered in grasses and flowers. Behind them the stage is lit in blue, while they are under a white special.

3 actors crouch in front of a small bed in a train compartment. Two of them, a man in a 1930s Scottish officer's uniform and a woman in a black skirt suit tend to a woman in a pink blouse and dark pink ankle length skirt. She has been shot in the arm. Two more actors stand to the right of them. One is a woman in a simple black frock over a white shirtwaist. She is facing downstage with her hands folded. The other is standing behind her with her arms crossed. She is wearing all black and is looking at the group stage right. There is an unseen man under a bloody sheet behind all of them in the bed. He is dead.

Three actors stand on stage in period (1930s) dress. One is on stage right holding a teal makeup case. She is looking at the man center stage, who is wearing an exoertly tailored suit and appears to be speaking to the audience. The third is stage left wearing a tan trench coat over a less-expertly tailored suit. He is also looking at the man center stage. They are in an elaborately decorated dining car painted with blue paneling and cream wallpaper with a diamond pattern on it. There are practical sconces on the walls. Behind them, a train station is projected.

A man in a navy 1930s train conductor uniform attempts to make contact with a train station. There are distorted pictures projected around him. He is on a rolling platform which features various complicated looking instruments that might be featured in a conductors office on a train.

Three actors stand on stage in their three separate sleeping compartments onboard a lavishly decorated train. On stage right, a woman in cream colored silky pajamas does the Charleston. Center stage, a man in cotton pajamas with red vertical stripes grabs a pillow to throw against the wall. Their compartments are connected with a door. On stage left, a man in a gray suit stands facing the audience, looking forlorn. There are practical lights above each bed.

Three woman in period (America, 1900s) sit at desks on stage. On sits stage right in a white shirtwaist and a red floor length skirt facing the audience. Another sits stage left in a white shirtwaist and a brown floor length skirt. They are both in shadow. Center stage, on a rotating platform, a woman with a hearing aid sits at a desk while a gobo projects the shadow of a window on her. There are three stars projected above each of them in frames behind them. The stage is painted purple with constellations on it.

Two women sit in chairs in period (America, 1900s) dress - one in a green floor length dress and the other in a light green shirt and brown pants. They are both sitting facing two women upstage - one sitting in a rocking chair in a burnt orange shawl and a plaid flannel blanket covering her legs, and one standing to her left in a blue floor length dress. Behind them, screens projecting various vintage documents depicting early ideas of astronomy.

Three women in period dress (America - 1900s) stand on stage. Two stand center stage in front of a wooden desk. It looks as though the woman in the red floor length skirt and white blouse is showing the woman next to her in a floor length green skirt and jacket wearing a hearing aid the ropes. A woman in a brown floor length skirt stands behind them stage left. She is busying herself with something else and is trying to appear as if she's not interested.

Three actors stand in period dress (America, 1900s) onstage. One in a floor length red dress is standing facing the audience center stage in a pool of light. Behind her to her right is a woman in a blue dress. It appears as though they are speaking to each other from afar - perhaps via a letter. Another, a man, is standing behind her to the left. He is in a hat and is also standing in his own pool of light. They also appear to be communicating from afar. Behind them, fields of stars are projected on frames of various shapes, sizes, and depths.

Several dancers stand in a "V" formation with their hands in fists at their chest. They appear to be doing sa high energy dance.

The aftermath of a chaotic Act 3. Several props litter the floor - paper, makeup, costume racks, tablecloths, chairs. A stud wall in the rear has had all of it's paper ripped off to reveal a word - "GALVANIZE" behind it.

A woman stands behind a table center stage wearing a beige jumpsuit and a red silky robe. She is in the midst of dumping a full bucket of water on her head. To the left, a woman in a lab coat is sitting at the table pouring over her work. Behind her, a man wearing a matching beige jumpsuit appears to be yelling.

Four actors stand center stage facing the audience. The woman standing furthest stage right is in a tea-length wedding dress with a sheer shawl. Next to her, two women in bridesmaids dresses. None of the women are wearing shoes. Next in the line is a man in black pants and a dress shirt. They are all facing the audience unsmiling as confetti rains down over them.

Several actors portraying American 1950s high school students sit on metal bleachers center stage. They are all chatting with each other. Above them, a portal that lights up to indicate the setting. It currently says "Rydell High"

4 men in jeans, white t-shirts, and black leather jackets stand up inside a beat-up old car.

men in jeans, white t-shirts, and black leather jackets stand up inside a beat-up old car. Outside the car, several dancers in coveralls do flips. The stage is lit in green.

A shot of the entire cast, crew, and orchestra of Grease on Independence of the Seas.

A pre-show shot of the scenery for The Threepenny Opera. It is a large set that appears to have been cobbled together with things picked from the garbage. On stage either side of the stage, a junk wall towers, looking precarious. Center stage, three large red curtains, the center-most with "The Threepenny Opera" spray painted on it in black. Right of center, a metal spiral staircase. Foot lights span the front of the stage.

© 2025 Alden Fournier

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